Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Due to a plot by the teaching staff, headmaster Taft is forced into early retirement and Knörz is appointed headmaster. However, they didn't count on class 13a, and especially not on their spokesperson Pepe Nietnagel. They are anything but happy about losing Taft, their favorite enemy. Without further ado, Pepe and his friends join forces with Taft and hatch a series of daring pranks to get back at Knörz.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.