Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

David Blair directs this powerful British Drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.