Surface Level "People We Meet on Vacation" is Still a Fun Time
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

Ersan, who has been in a long-term relationship, has stopped showing interest in his girlfriend and being romantic. Enjoying the comfort of a long-term relationship, one day he is abandoned by his long-term girlfriend Ayla and is left feeling lost. Although he tries to win back the woman he loves for several weeks, his efforts are in vain. Ayla refuses to return. Realizing that he must accept the breakup, Ersan goes to the house where he spent his childhood in Erdek, hoping that a change of scenery will do him good. However, unable to find the solace he seeks there, Ersan notices a wedding nearby while walking along the beach. Ersan enters the wedding with the intention of leaving, but is mistaken for Feridun, the son of his brother who had fallen out with him years ago and moved to Germany, by the groom's father. At first pleased with this role, Ersan thinks he will escape at the first opportunity, but then he sees Hayal, the groom's cousin…
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.