The Wonder Years (2021 TV series)
This reboot of The Wonder Years is told from the lens of a Black man.

In 1989 a youth radio station, B-92, started up in Belgrade. It almost immediately became a symbol of the resistance to Serbian nationalism and all that Slobodan Milosevic decreed. Here, the young radio workers give a candid account of life in Belgrade throughout the years of war. They also describe their own contribution, despite all the authorities' efforts to suppress them, to the liberation of their city and their country.
This reboot of The Wonder Years is told from the lens of a Black man.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.