
Before the Night portrays ordinary life under the enduring state of emergency, from the perspective of its three characters. Gulbîn, a painter living with her parents, is trying to make her own way in life, while obsessively painting a portrait of her mum with inspiration from Whistler's painting Mother. The mother models for her daughter while trying to insulate her house from the noise of the bombs to no avail. The father, whose health is deteriorating, tries to reimagine his war-stricken city with old photographs he took.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
This article discusses the classic and timeless franchise, The Smurfs.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.