“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

On May 23, 1971, a French expedition led by Robert Paragot successfully climbed Makalu via its west pillar. Makalu is one of the five highest peaks in the world, located in the Himalayas on the Nepalese-Tibetan border. Jean-Pierre Janssen and Lucien Bérardini filmed this expedition, where Robert Paragot spoke about the expedition conditions, life at altitude, and his state of mind as expedition leader. On the return to base camp, Jean-Pierre Janssen interviewed Lucien Berardini, Georges Payot, Jean-Claude Mosca, François Guillot, and Jean-Paul Paris, all of whom played a key role in bringing Bernard Mellet and Yannick Seigneur to the summit. Expedition members: Robert Paragot (expedition leader), Georges Payot, Yannick Seigneur, Claude Jager, Jean-Claude Mosca, François Guillot, Bernard Mellet, Lucien Bérardini, Jean-Paul Paris, Robert Jacob, Jacques Marchal (surgeon).
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.