“Selena: The Series": A Disservice to Selena’s Legacy
'Selena: The Series' loses sight of the story's heart: Selena herself.

A door-to door cosmetics saleswoman in 1986 finds a new customer.
'Selena: The Series' loses sight of the story's heart: Selena herself.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Overall this movie was an easy watch, but by no means a worthwhile watch.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
'Uprooted' is a short film on what's happening in Ukraine as of today. This captures the emotions of the Russian invasion of Ukraine.