
Tung is a street cop in Hong Kong who's friends with a Triad named Fai. Fai hires a hit man to murder a business rival; the hit goes wrong and Fai, implicated in the incident, goes on the run.
This romance movie has strong representation of Taiwanese people.
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Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The trainwreck is hot but tame.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.