The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Two young couples are driving through a remote forest when their car breaks down. When a run-in with a curious grizzly bear ends up with the bear being shot to death, the bear's mate arrives on the scene and vengefully attacks their van. The couples are trapped inside the disabled car and must come up with clever ways to survive. As they battle the surprisingly intelligent creature, and contemplate their uncertain fate, secrets begin to emerge that threaten to tear the group apart before the bear does.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.