Jonathan Scott narrates the extraordinary story of the leopard - the one big cat that still survives across half the world while tigers, cheetahs and lions are all struggling. By following the lives of leopard mothers and their cubs in East Africa the film investigates what it is about the natural history of these cats that makes them born survivors. Perhaps the most extraordinary revelation is that leopards are living undercover on farms and even in cities across Africa and Asia.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
