Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.