Discovering Self-Identity in Santa Girl
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

For organic farmer Andi Gruber, the single father of his eleven-year-old daughter Lena, his world suddenly collapses when it turns out that his cattle are contaminated with harmful substances and have to be slaughtered by the authorities. His livelihood is threatened. He desperately tries to find out what the pollutants are and how his cattle could have been contaminated. He goes to biochemist Dr. Kroetz and finds him dying, fatally wounded by a bolt gun. As Andi was seen at the scene of the crime, he is suspected of murder and is wanted. After he knows his daughter Lena is safe with his sister on the neighboring farm, Andi takes up the fight. With the help of young scientist Silvie Kraus, he discovers that an entire cartel of abattoir operators, chemical companies, vets and politicians are apparently testing new vaccines on the farmers' livestock without their knowledge and are not even afraid of murder.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Falling in love with 'Rocketman" all over again.