I Wouldn't Recommend "The Last House" If It Was The Last Movie On Earth
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

Years since the Zombie Staplers disappeared, Christian has been trying to lead a normal life. But after his one true love is kidnapped, he must enter the underworld of Miami where he reconnects with old allies and learns about a new Zombie Stapler plot that might eliminate humanity once and for all.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.