We already know that the legion of Staxus blond boys are always ready for fun, but just in case there’s any doubts about that we’ve gathered together another fine collection of horned up beauties for you to enjoy. Lads like Jamie Calvin and Rob Nielsen, who are more than happy to prove that their so-called unmanly blondness seems to attract cock like moths to a flame. Add in a bit of black cock for contrast, and you have the makings of a classic collection of handsome sluts who will literally do anything to have the time of their lives. All in all, a three hour plus bonanza that will appeal to anyone who loves to watch fair-headed beauts sucking, fucking, and generally acting like the sluts they were always born to be!
John Smith
Director
Danny Jones
(archive footage)
Alan Hemar
(archive footage)
Navon Raffi
(archive footage)
Ray Mannix
(archive footage)
Aaron Shine
(archive footage)
Nick Fox
(archive footage)
Bjorn Nykvist
(archive footage)
Jaro Stone
(archive footage)
Liam Stone
(archive footage)
Joel Tamir
(archive footage)
Josh Evans
(archive footage)
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.