"Barcelona, abans que el temps ho esborri" is a chronicle of the high bourgeoisie who made the industrial revolution in Catalonia. An ironical walk along the Barcelona of the twentieth-century through the memories inherited by one of its descendants, Javier Baladia, that takes us to the golden years of a cosmopolitan and cultured elite, who left us a legacy that has made today's Barcelona an international reference. The private life of a family. A personal portrait of the twentieth century.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
This horror movie combines elements of horror and babysitting with Black representation.
'Blue Beetle' is another solid addition to the superhero film canon.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
