Women can have it all! Right?! A review of HBOMax’s “Expecting Amy”
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men abduct Gulabi. But before he could have his way with her, she is rescued by Raja, but Ajay subsequently shoots Raja to death. An enraged Haria wants to kill Ajay in return, but Ajay's dad stops him from doing so. Then Ajay's dad finds out a secret about his past life, and decides to change his last will and testament. Ajay finds out about this and lays in wait with a shotgun to kill his very own father - and anyone else who dares to stand in his way
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Like most young people, Leviticus is imperfect. But I love it anyways.