Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men abduct Gulabi. But before he could have his way with her, she is rescued by Raja, but Ajay subsequently shoots Raja to death. An enraged Haria wants to kill Ajay in return, but Ajay's dad stops him from doing so. Then Ajay's dad finds out a secret about his past life, and decides to change his last will and testament. Ajay finds out about this and lays in wait with a shotgun to kill his very own father - and anyone else who dares to stand in his way
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
A homeless girl faces depression and uncertainty during the holidays.