Poppin'Party, Roselia, and RAISE A SUILEN's successful concert at the Budokan has passed. Kasumi and the others, who have left a lingering sound on the stage of their dreams, are approached by a mysterious woman. Their next stage is overseas?! Poppin'Party's music isn't stopping yet!
Kohdai Kakimoto, Masanori Uetaka
Director
Aimi
Kasumi Toyama (voice)
Sae Otsuka
Tae Hanazono (voice)
Rimi Nishimoto
Rimi Ushigome (voice)
Ayaka Ohashi
Saaya Yamabuki (voice)
Ayasa Ito
Arisa Ichigaya (voice)
Amane Shindo
Mashiro Kurata (voice)
Hina Suguta
Toko Kirigaya (voice)
Yuka Nishio
Nanami Hiromachi (voice)
mika
Tsukushi Futaba (voice)
Ayasa
Rui Yashio (voice)
Raychell
Rei Wakana (voice)
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Personalities clash and tempers fume in a family-run Chicago restaurant
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.