Bambi was born Jean-Pierre Pruvot in a tiny Algerian village in 1935. Even as a child, she refused to meet the expectations of her extended family, choosing instead to find a way to become the woman she always knew herself to be. A Cabaret Carrousel de Paris performance in Algiers in the 1950s proved to be all the encouragement she needed to emigrate to the French capital, assume the stage name of ‘Bambi’ and lead the life she longed for on the music-hall stages.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
