Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.

Operetta star Gitta Alpar plays a singer engaged for a performance at the Savoy Hotel, where she mistakes Baron von Wollheim for a waiter. But the baron is content to play the game for a while and changes his role with the real waiter. Of course the singer is quite happy when she discovers the real identity of the baron, but now she mistakes him for a thief, as her necklet has gone missing. Further complications arise when the baron's cousin Mary, a composer, arrives at the hotel and wants a music publisher to listen to her songs.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.