A black political comedy, which, as a backdrop, uses the election race and the accompanying chaos in the media. The film's protagonist is a presidential candidate in the 2000 elections in Poland who suddenly withdraws from the election campaign despite his best ratings. During the election battle, he portrays himself as a professional liar and decides to give away everything he has previously won. What he doesn't expect, however, is how difficult a problem giving can be.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
