Sham and Joe left their village to work in KL. Joe works as a uber driver and Sham works as a sales executive. One day, the two guys are shocked to find a baby in Joe’s car. They tried to locate the parents but to no avail. When they encounter many good things since the baby came to their lives, they decided to keep the baby for a few more days before handing him over to the police. Are they capable to look after the baby with no experience ? Will the baby be returned to his parents ?
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
