The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Two angels—Azrael (Manuel Raposo) and Malaquías (Carlos Quezada)—who fell out of God’s favor over thirty years ago, now work at Heaven’s behest to capture wayward souls in the dark, decaying world of Quisqueya. Abandoned by God, their only recourse is to forge alliances with the being who, like them, once fell from the heavens. It is a story of redemption, *bachata* music, and violent clashes involving pistols, knives, and machetes. It centers on a single goal: to dream of their missions once more, so they may walk the Lord’s "righteous" paths and—under His command—eradicate the evil lurking around every corner.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.