Ayvaz kasap 

Ester Shapiro who flees the only home she has ever known to start a new life in Berlin.

In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.

The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

For one widowed father and his five kids, an extraordinary gift will change their lives forever.