‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Thomas Winter crashes his sports plane into the sea off Corsica. His wife Julia is looking forward to four million marks in life insurance. During the settlement, an employee of the insurance company is remarkably helpful - too helpful for the taste of a detective and an inspector who don't really want to believe in an accident. And suddenly the man who was believed dead runs into his not-so-sad widow...
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.