Supernatural drama set in the British trenches of WW1. Along with the rest of his platoon, young Private Edwin Childs fears imminent German gas attacks. As the dreaded attack begins, how much will Edwin give of himself in the ultimate act of compassion towards his fellow men?
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Dracula evolved from a person to a monster and then from a monster to a person.
