Taking a Break from the News by Watching the News- but does “Last Week Tonight” Count?
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.

Neo-Berlin, 2079. A dark city held by mega corporations where the only way to enjoy life is by connecting to cyberspace. A team of detectives are investigating a new menace: an army of cyber octopuses that are terrorizing the government.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.