EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Assassinio nella cattedrale (Murder in the Cathedral) is an opera in two acts and an intermezzo by the Italian composer Ildebrando Pizzetti. The libretto is an adaptation by the composer of an Italian translation of T.S. Eliot's play Murder in the Cathedral. The opera was first performed at La Scala, Milan on 1 March 1958. The opera was performed for the first time in Canada the following year at the Montreal Festivals.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Dracula evolved from a person to a monster and then from a monster to a person.