A film about Arthur and Lillie Mayer, 89 and 86 years old and still young. Arthur can remember being taken to the first movie show in America, in 1895; Lillie was among the first American suffragettes. Arthur Mayer reminisces about his famous publicity stunts for Paramount, his Broadway horror film theatre, and beginning the importation of great European films with Rossellini's Open City. It was nominated for an Academy Award for Best Documentary Short.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
This reboot of The Wonder Years is told from the lens of a Black man.
