
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
A deer caught in the headlights is the perfect metaphor for Animals.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
It is up to the community to decide if this film is a force for enlightenment or not.