Griffith Townsend (Michael Fredianelli) enjoys a successful career as senior editor at the San Francisco Chronicle with only one problem: he is plagued with amnesia. With the help of a washed-up psychologist (Ray Medved), he reluctantly unearths a number of odd habits which can only be described as unnatural and bizarre. Meanwhile, a strange woman, Maggie (Kat Reichmuth), awakens in Golden Gate Park with no recollections of how she arrived. Enlisting the aid of a friendly social worker (William McMichael) and local gypsy (Selenia Mason), she slowly begins to recall her true identity. With an increasing and unexpected desire consuming her, it becomes clear that Griffith and Maggie's new obsessions may be more than just memory loss as they become a dangerous and deadly threat to the city and each other.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
