Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

450,000 years ago our ancestors descended from the heavens to engineer the first human beings. To us they were Giants that ruled as Gods over mankind. Now new evidence and scientific research acknowledges their existence on earth but reveals when they will return. The truth of their real origin and purpose is much more bizarre and amazing than anything previously believed. From the Garden of Eden to the Great Flood; from the God of the Bible to the secrets of Enoch all shall be revealed.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.