After a failed attempt at a hostel luggage room hook up, Sam and Naomi think they will never see each other again. When a volcano erupts, grounding all flights, they suddenly find themselves stranded – together. In a stolen car, the pair embark on a quest to capture the first images of the eruption. The ensuing road trip into the Icelandic highlands uncovers their vulnerabilities as they navigate their fears of commitment, the weight of their secrets and the thrills of connection in a world where they can no longer swipe left.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
