In front of his 15-year-old son, a father loses his temper and strikes his younger daughter, thinking she's trying to run away from him. Jump ahead ten years: the dad is dead, the mom is gone, and the son, Luke, is raising his now grown sister, Annie. He's overprotective, and she seems blood simple, a coquette and an innocent. He runs the diner in town, and one day, Lisa, a callow writer-to-be, comes through from Manhattan, keeping a journal, looking for interesting people. She takes a shine to Annie and then to the muscular and well-read Luke. But what is their secret, how many of the townsfolk are in on it, and what will Lisa do when it all becomes clear?
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
