Gioia has just turned 18. She lives with her father Bruno in a small country village where she works as a shepherdess. They live very simply yet harmoniously with the villagers. Their lives are disrupted when Bruno gives in once again and once too many to his gambling addiction, in spite of his efforts to quit. Gioia will have to follow him to a faraway town, where he will be treated in a specialized center. This will radically change her existence, forcing her to abandon the safety of the village, her friends and her habits. She will be all by herself to support her father, in his journey for a better life.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
