'Pretty Guardian Sailor Moon Eternal Part 2'
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.

A group of taxi drivers try to reanimate a young woman who has been close to being run over by one of them. To improve her mood all of them tell her curious anecdotes featured by peculiar customers
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.