“The Thursday Murder Club” Provides a Cozy Mystery
As a frequent “the book was better” extoller, this movie was well worth the watch.

Recorded live at Circo Voador, Rio de Janeiro, on September 20, 2006. The album contains 16 songs that represent a summary of her different phases as a singer and songwriter, and that provoke emotion and confirm the artist's talent. Here, Alcione sings "Joana França", a song by Chico Buarque, Frejat performs a duet on "A mim e a mais nobody" and Luiz Melodia participates in "Tola foi você".
As a frequent “the book was better” extoller, this movie was well worth the watch.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
SPOILERS AHEAD. Premature is a story about the pain of love and realities. Transitioning from youth to our perspective of adulthood, how do we grapple with loss?