An actor who does not suffer fools gladly finds himself replaced by one in this comedy. The citizens of a French village decide to celebrate their history by staging a play that will chronicle memorable events from the town's past. The play's author, Alexis, casts his wife Janine (Isabelle Candelier) in the leading female role despite her odd way of delivering dialogue. However, for the male lead, Alexis hires an arrogant professional actor from Paris, Jean-Pascal Faix. The village simpleton, Andre , has volunteered to serve as a stagehand and prompter. When Andre mistakenly leads Jean-Pascal into a trash dumpster that's soon dragged away, he's convinced (falsely) that he's killed the Parisian actor -- and is determined to take his place so that the show will go on.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
