Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

While being interrogated by a police psychiatrist, the near-catatonic Tabitha tries to explain why she and two of her childhood friends are being hunted by a serial killer. The truth that's dying to come out weaves together three tragic secrets from their past. Two of the girls' boyfriends become unwitting targets in their deadly game.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Intergenerational friendships and community can be so powerful, and this was a great example.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.