Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Amityville legend lives on when a resident of a local boarding house dies under mysterious circumstances. Her two best friends, Brigitta and Bermuda, Bermuda's sister Sentinel, and the owner of the boarding house, Ms. Ernie, are absolutely devastated. This is not helped by the arrival of an eccentric and crude detective who never takes off his cowboy outfit, Hank Denton. Tensions run high as the girls begin to suspect their friend Margaret may still be alive; and as the detective's behavior becomes more out of control, the house itself may very well be turning on it's residents.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.