Yvonne is a divorced middle-aged Chinese immigrant who thinks her life is over, and she is doomed to spend the rest of her days as a slave to her large and eccentric family. Suddenly, romance enters her life and Yvonne gets a long deferred chance for true love. However, she falls for the last person a Chinese family would ever accept, Jose, a Mexican-American dentist. It doesnt matter what race or culture youre from, deep down inside we are the same. And from this lesson Yvonne and her family begin to love each other for who they are and to accept Jose into the family.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
A film about family and sacrifice... and carnivorous locusts coming after you.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
