A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

In Europe, they speak of him in holy whispers. In America, he's a mysterious footnote. Poised for huge commercial success, Jeff Buckley's untimely death kept him on the periphery of popular music. "Amazing Grace: Jeff Buckley", a passionately crafted documentary, sets out to investigate the extraordinary phenomenon of Jeff Buckley, a deceased musician of modest commercial success, with only one full-length album, who has become a veritable tour de force of inspiration for artists across the globe. Interviews include all four of the Jeff Buckley Band members, friends, family, colleagues, critics, DJ's, producers, and fans. From Sydney, New York, and London to Memphis, Montpelier, and Los Angeles, the film takes viewers on an expansive yet incredibly intimate trip through the world of Jeff Buckley, and explores how he continues to inspire his fans - from classical composers to rock n' roll superstars and everyone in-between.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
The Olivia Wilde renaissance is upon us.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.