“Young Washington” Is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

Husin and Hasan were given early exposure to learning the Quran since childhood because their father hoped his children would become the best Qaris. However, their father Munir's somewhat harsh teaching methods caused both of them to rebel. Munir wanted to see his sons win Quran recitation competitions. Their lives were filled with the Quran, but Munir's intentions were feared to be only about showing off his children's abilities to society rather than for the sake of Allah. Misfortune befalls the family when Munir's wife dies from illness, and this begins to make life increasingly difficult for both of his sons.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.