“Primetime” and Emptiness
This is not McDonald’s. This is something different.

In 1978, Peter Przygodda, editor of Wim Wenders‘ films, Reinhard Hauff and Hans W. Geissendörfer, together with his Brazilian colleague Braulio Tavares Neto and Martin Schäfer at the camera, filmed the long-distance truck drivers on their journeys with heavy goods vehicles and thus obtained first-hand information. In the course of the trucker film wave ('Convoy') of the late 70s, his film was released in cinemas. Trucker life appears as a social phenomenon far removed from the romance and hero myths surrounding the adventure of the highway.
This is not McDonald’s. This is something different.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
Masterful satire that shines a light on the struggles of Black creatives.