'The Royal Treatment' Comes to Manhattan
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.

During the summer of 2020, Belgian climbers Nicolas Favresse and Sébastien Berthe set themselves the challenge of completing the Alpine Trilogy, three of the most difficult routes in the Alps. But the two friends, accompanied by their cameraman Damien Largeron, intended to have a fun and lighthearted experience: what better way to connect the three legendary routes than by bike and in the company of their dogs?! In just two weeks, a veritable caravan of joy embarked on one of the greatest climbing feats of recent years.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.