Almost Pregnant (1992)

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.

Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes. 

Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.