The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

As every year, the celebration of All Saints Day brings Polish families together at the graves of their loved ones. On this special day Maria, 80-year-old widow, visits the graveyard with her son, his wife and their children.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.