“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

Based on the 'Arabian Nights', this film tells of the Baghdadi woodcutter Alibaba (M. Bose) and his magic 'Open Sesame' formula; of the hero's jealous brother Kasim and the slave girl Marjina (S. Bose). The film adapts the 1897 play, giving it a Hollywood-derived exotic flavour. An improvised 'modern' dance is inserted. The slow, mannered acting with the frontally framed tableau shots are enlivened by the dance scenes, especially the Marjina-Abdallah sequence.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.