An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

A young music teacher, after her house is burned down by a raid, has to go to a refugee camp with her old and sick mother. She is forced to sell everything she owns, while she is looking for a job as a singer. One night, tired and frustrated, she meets a man who invites her out for a drink. She accepts the invitation, stunned by the bunch of banknotes in his wallet. The man takes her to his room at the hotel Luna and seduces her. Before leaving, she robs him of his money and then walks hastily home, but in the meantime her mother has died. She meets a young maestro, who wants her to sing his songs. She seems to begin a happy, though hard, life together with the young maestro who wishes to marry her. The wicked man suddenly reappears and menaces to reveal their old encounter and that she is a thief, but he is later killed. The unfortunate lady is suspected of the crime, but at the end she is cleared of it and she can happily marry her maestro
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.