Geeta belongs to a poor family and lives with her mother in a small one room apartment. She is employed as a typist with an organization. She likes to dance and sing, and does so also at work, which ends up in her losing her job. Her boss' son, Suresh, finds out about her dancing skills, and hopes to utilize her talents as a singer and dancer in a drama company, which she accepts. She becomes quite ppopular in a short period of time, and is expected to replace the current lead heroine. The lead heroine, along with her friends, cannot accept this, and abduct her. Now Geeta has a choice - give up acting, singing and dancing, or die.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
