An agoraphobic inherits her father's house in a remote part of the Florida Keys. When weird things start happening, she discovers that there's something far more terrifying trapped inside the house with her.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
Queen & Slim is a nice example of representation in both cast and crew
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
This reboot of The Wonder Years is told from the lens of a Black man.
